|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
on1354262436 |
| 003 |
OCoLC |
| 005 |
20241006213017.0 |
| 006 |
m o d |
| 007 |
cr |n||||||||| |
| 008 |
221212t20222022sz ob 001 0 eng d |
| 040 |
|
|
|a YDX
|b eng
|e rda
|c YDX
|d N$T
|d GW5XE
|d EBLCP
|d OCLCQ
|d OCLCF
|d OCLCO
|d VRC
|
| 019 |
|
|
|a 1355221213
|
| 020 |
|
|
|a 9783030760922
|q (electronic bk.)
|
| 020 |
|
|
|a 3030760928
|q (electronic bk.)
|
| 020 |
|
|
|z 303076091X
|
| 020 |
|
|
|z 9783030760915
|
| 024 |
7 |
|
|a 10.1007/978-3-030-76092-2
|2 doi
|
| 035 |
|
|
|a (OCoLC)1354262436
|z (OCoLC)1355221213
|
| 050 |
|
4 |
|a PN1993.5.A1
|b W357 2022
|
| 072 |
|
7 |
|a APFN
|2 bicssc
|
| 072 |
|
7 |
|a ART057000
|2 bisacsh
|
| 072 |
|
7 |
|a ATF
|x 6AQ
|2 thema
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Walsh, Michael,
|c (Professor, University of Hartford),
|e author.
|
| 245 |
1 |
0 |
|a Durational cinema :
|b a short history of long films /
|c Michael Walsh.
|
| 264 |
|
1 |
|a Cham :
|b Palgrave Macmillan,
|c [2022]
|
| 264 |
|
4 |
|c ©2022
|
| 300 |
|
|
|a 1 online resource (xiii, 289 pages).
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Experimental film and artists' moving image
|
| 505 |
0 |
0 |
|g 1. Introduction -- Part I.
|t First wave: New York in the 1960s.
|g 2.
|t Andy Warhol's Sleep : duration as subtraction --
|g 3.
|t Ken Jacobs' Star spangled to death : duration and social disgust --
|g 4.
|t James Benning : minimal, ultra-minimal, beyond the zero, and multiple. --
|g Part II.
|t Second wave: Europe after 1968.
|g 5.
|t Chantal Akerman 1 : a durational city symphony --
|g 6.
|t Durassian duration : love, loss, and longing --
|g 7.
|t Claude Lanzmann : duration and gravitas --
|g 8.
|t Jean-Marie Straub and Danièle Huillet : the deep time of duration. --
|g Part III.
|t Third wave: The twenty-first century and the digital era.
|g 9.
|t Chantal Akerman II : 35 years on the durational plane --
|g 10.
|t David Claerbout : duration and heterochrony --
|g 11.
|t Lav Diaz and the durational sublime --
|g 12.
|t Wang Bing : duration, deindustrialization, and industrial work-discipline --
|g 13.
|t Kevin Jerome Everson : duration and the Black working class --
|g 14. Conclusion.
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 520 |
|
|
|a "This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol's durational cinema of subtraction is quite different from Jacobs's durational cinema of social disgust, while Lav Diaz' durational sublime is quite different from Kevin Jerome Everson's unblinking studies of African-American working people."
|
| 650 |
|
0 |
|a Motion pictures
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Motion pictures
|x History
|y 21st century.
|
| 650 |
|
7 |
|a Motion pictures
|2 fast
|
| 648 |
|
7 |
|a 1900-2099
|2 fast
|
| 655 |
|
7 |
|a History
|2 fast
|
| 776 |
0 |
8 |
|i Print version:
|a Walsh, Michael, Professor, University of Hartford.
|t Durational cinema.
|d Cham : Palgrave Macmillan, Springer Nature Switzerland, [2022]
|z 9783030760915
|w (OCoLC)1355100068
|
| 776 |
0 |
8 |
|i Print version:
|z 303076091X
|z 9783030760915
|w (OCoLC)1246352308
|
| 830 |
|
0 |
|a Experimental film and artists' moving image.
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://link.springer.com/10.1007/978-3-030-76092-2
|y Click for online access
|
| 903 |
|
|
|a SPRING-LIT2022
|
| 994 |
|
|
|a 92
|b HCD
|