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20240909213021.0 |
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|a 1371752657
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|a 3031245989
|q electronic book
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|a 9783031245985
|q (electronic bk.)
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|a 10.1007/978-3-031-24598-5
|2 doi
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|a (OCoLC)1371483218
|z (OCoLC)1371752657
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|a 9783031245985
|b Springer Nature
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|a NX180.S6
|b D45 2023
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|a HCDD
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|a Dekker, Erwin,
|d 1984-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjrGtJbKPpRyV3KtVtGqBd
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|a Realizing the values of art :
|b making space for cultural civil society /
|c Erwin Dekker, Valeria Morea.
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|a Cham, Switzerland :
|b Palgrave Macmillan,
|c [2023]
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Palgrave Pivot
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|a Cultural economics and the creative economy
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|a Intro -- Preface -- Acknowledgments -- Contents -- List of Figures -- 1 A Pragmatic Approach to Art -- Let's Unwrap the Argument... -- There Are Many Different Values, and New Ones Are Discovered Irregularly -- Values Can Clash with Each Other, Sometimes Violently -- Measuring Values Requires Engagement with Artistic Practices -- Here Is How We Will Proceed -- References -- 2 What Values Are, and How We Learn to Appreciate Them -- Market Goods and Other People Are Essential -- Values Are Embedded in Social Practices -- The Context of Values Are Orders of Worth -- The Values of a Hip-Hop Artist
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|a Value Discovery -- References -- 3 How Artists Imagine New Worlds -- Forget the Solitary Genius, Artists Imagine Together -- Artists Operate in Circles, Which Are Sustained Through Contributions -- Circles Benefit From the Proximity of Circles in Neighboring Disciplines -- Within Circles, Knowledge Is Generated, and Artists Imagine New Possibilities -- Modernists Imagined Too Wildly, Postmodernists Too Ironically -- A New Form of Imagination Is in the Making -- Imaging and Living a Different Venice -- Contemporary Imagination Is About the Development of Social Practices Which Embody Values
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|a The Diversity of Social Practices Around the Arts Constitutes Cultural Civil Society -- Cultural Civil Society Often Flies Under the Radar, but it Can Be Mapped -- Cultural Civil Society Operates at the Intersection of the Private and the Public Sphere -- Public Values Might Converge, but Co-Existence and Tolerance Are Primary -- Making Space Means Fostering Diversity and Protecting Minorities -- Making Space: Marginal Improvements -- References -- 6 Epilogue: Imagining a Heterotopia -- References -- References -- Index
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|a This book provides a novel approach to the understanding and realization of the values of art. It argues that art has often been instrumentalized for state-building, to promote social inclusion of diversity, or for economic purposes such as growth or innovation. To counteract that, the authors study the values that artists and audiences seek to realize in the social practices around the arts. They develop the concept of cultural civil society to analyze how art is practiced and values are realized in creative circles and co-creative communities of spectators. The insights are illustrated with case-studies about hip-hop, Venetian art collectives, dance festivals, science-fiction fandom, and a queer museum. The authors provide a four-stage scheme that illustrates how values are realized in a process of value orientation, imagination, realization, and evaluation. The book relies on an interdisciplinary approach rooted in economics and sociology of the arts, with an appreciation for broader social theories. It integrates these disciplines in a pragmatic approach based on the work of John Dewey and more recent neo-pragmatist work to recover the critical and constructive role that cultural civil society plays in a plural and democratic society. The authors conclude with a new perspective on cultural policy, centered around state neutrality towards the arts and aimed at creating a legal and social framework in which social practices around the arts can flourish and co-exist peacefully. Erwin Dekker is Senior Research Fellow at the Mercatus Center at George Mason University. He has previously published Jan Tinbergen (19031994) and the Rise of Economic Expertise (2021) and The Viennese Students of Civilization (2016), as well as the edited volume Governing Markets as Knowledge Commons (2021). Valeria Morea is postdoctoral fellow at IUAV University of Venice, Department of Architecture and Arts, where she investigates grassroots cultural and civic practices in Venice. She has recently edited the volume Cultural Commons and Urban Dynamics (2020), published by Springer. Her research explores the role and values of public art in urban settings.
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|a Includes bibliographical references and index.
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|a Description based on online resource; title from digital title page (viewed on March 30, 2023).
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|a Arts and society.
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|a Arts
|x Economic aspects.
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|a Civil society.
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|a Cultural policy.
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|a Arts and society
|2 fast
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|a Arts
|x Economic aspects
|2 fast
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|a Civil society
|2 fast
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|a Cultural policy
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|a Morea, Valeria.
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|i Print version:
|a DEKKER, ERWIN. MOREA, VALERIA.
|t REALIZING THE VALUES OF ART.
|d [S.l.] : PALGRAVE MACMILLAN, 2023
|z 3031245970
|w (OCoLC)1356044184
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| 830 |
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|a Palgrave pivot.
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://link.springer.com/10.1007/978-3-031-24598-5
|y Click for online access
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|a SPRING-ALL2023
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|a 92
|b HCD
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