|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
on1372584619 |
| 003 |
OCoLC |
| 005 |
20240909213021.0 |
| 006 |
m o d |
| 007 |
cr cnu---unuuu |
| 008 |
230314s2023 sz a ob 001 0 eng d |
| 040 |
|
|
|a GW5XE
|b eng
|e rda
|e pn
|c GW5XE
|d EBLCP
|d YDX
|d UKAHL
|d OCLCF
|d OCLCQ
|d OCLCO
|d N$T
|
| 019 |
|
|
|a 1373012055
|
| 020 |
|
|
|a 9783031230462
|q (electronic bk.)
|
| 020 |
|
|
|a 3031230469
|q (electronic bk.)
|
| 020 |
|
|
|z 3031230450
|
| 020 |
|
|
|z 9783031230455
|
| 024 |
7 |
|
|a 10.1007/978-3-031-23046-2
|2 doi
|
| 035 |
|
|
|a (OCoLC)1372584619
|z (OCoLC)1373012055
|
| 050 |
|
4 |
|a TK7881.4
|
| 072 |
|
7 |
|a TJF
|2 bicssc
|
| 072 |
|
7 |
|a UYS
|2 bicssc
|
| 072 |
|
7 |
|a TEC008000
|2 bisacsh
|
| 072 |
|
7 |
|a TJF
|2 thema
|
| 072 |
|
7 |
|a UYS
|2 thema
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Pfanzagl-Cardone, Edwin,
|e author.
|
| 245 |
1 |
4 |
|a The art and science of 3D audio recording /
|c Edwin Pfanzagl-Cardone.
|
| 264 |
|
1 |
|a Cham :
|b Springer,
|c [2023]
|
| 264 |
|
4 |
|c ©2023
|
| 300 |
|
|
|a 1 online resource (xxv, 414 pages) :
|b illustrations (chiefly color)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 520 |
|
|
|a This professional book offers a unique, comprehensive and timely guide on 3D audio recording. Intended for sound engineers and professionals, and summarizing more than twenty-year research on this topic, it includes extensive information and details on various microphone techniques and loudspeaker layouts, such as Auro-3D, Dolby AtmosTM, DTS:X, MMAD, SONY 360 Reality Audio and Ambisonics. It presents a rich set of results obtained from both objective measurements and subjective listening tests, and a number of case studies for 3D recording, ranging from solo-instrument techniques to full symphony orchestra, and microphone systems for virtual reality applications. Further, it includes a chapter on spatial hearing discussing issues of 3D audio sound reproduction. All in all, this book offers extensive, practical information for sound engineers and professionals.
|
| 505 |
0 |
|
|a Critical introduction and a few case studies -- 3D- or 'Immersive Audio' the Basics and a Primer on Spatial Hearing -- The DOLBY AtmosTM System -- HOA Higher Order Ambisonics (Eigenmike) -- The Isosceles-Triangle, M.A.G.I.C Arrayand MMAD 3D (after Williams) -- DTS:X -- SONY 360 Reality Audio -- Recording microphone techniques for 3D-Audio -- Comparative 3D audio microphone array tests.
|
| 588 |
0 |
|
|a Print version record.
|
| 650 |
|
0 |
|a Sound
|x Recording and reproducing
|x Digital techniques.
|
| 650 |
|
0 |
|a Signal processing.
|
| 650 |
|
7 |
|a Signal processing
|2 fast
|
| 650 |
|
7 |
|a Sound
|x Recording and reproducing
|x Digital techniques
|2 fast
|
| 776 |
0 |
8 |
|i Print version:
|a PFANZAGL-CARDONE, EDWIN.
|t ART AND SCIENCE OF 3D AUDIO RECORDING.
|d [Place of publication not identified] : SPRINGER INTERNATIONAL PU, 2023
|z 3031230450
|w (OCoLC)1351462944
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://link.springer.com/10.1007/978-3-031-23046-2
|y Click for online access
|
| 903 |
|
|
|a SPRING-ALL2023
|
| 994 |
|
|
|a 92
|b HCD
|