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00000cam a2200000 i 4500 |
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on1382527745 |
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OCoLC |
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20240808213014.0 |
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m o d |
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cr cnu---unuuu |
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230612s2024 nyua ob 001 0 eng |
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|a 2023020458
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|a DLC
|b eng
|e rda
|c DLC
|d OCLCF
|d OCLCO
|d YDX
|d STBDS
|d N$T
|d OCLCQ
|d OCLCL
|d NUI
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| 019 |
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|a 1401259224
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|a 9780197558317
|q electronic book
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|a 0197558313
|q electronic book
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|a 0197558305
|q electronic book
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|a 9780197558294
|q electronic book
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| 020 |
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|a 0197558291
|q electronic book
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|a 9780197558300
|q (electronic bk.)
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| 020 |
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|z 9780197558287
|q hardcover
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| 024 |
7 |
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|a 10.1093/oso/9780197558287.001.0001
|2 doi
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| 035 |
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|a (OCoLC)1382527745
|z (OCoLC)1401259224
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| 042 |
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|a pcc
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| 050 |
0 |
4 |
|a ML3830
|b .Z27 2024
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Zatorre, Robert J.,
|e author.
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| 245 |
1 |
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|a From perception to pleasure :
|b the neuroscience of music and why we love it /
|c Robert Zatorre.
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| 246 |
3 |
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|a Neuroscience of music and why we love it
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| 264 |
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1 |
|a New York, NY :
|b Oxford University Press,
|c [2024]
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| 300 |
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|a 1 online resource (xi, 350 pages) :
|b illustrations (chiefly color)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Part I. Perception. Introduction ; Early Sound Processing : The Auditory Cortex, Its Inputs, and Functions ; Communicating Between Auditory Regions and the Rest of the Brain : The Ventral Stream ; Communicating Between Auditory Regions and the Rest of the Brain : The Dorsal Stream -; Hemispheric Specialization : Two Brains Are Better Than One -- Part II. Pleasure. The Reward System ; Music Recruits the Reward System ; Why Does Music Engage the Reward System? ; Pleasure and Beyond -- Coda. The Miracle of Music.
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| 520 |
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|a "Our species has been making music most likely for as long as we've been human. It seems to be an indelible a part of us. The oldest known musical instruments date back to the upper paleolithic period, some 40,000 years ago. Among the most intriguing of these are delicate bone flutes, seen in Figure 1.1, found in what is now southern Germany. (Conard et al. 2009). These discoveries testify to the advanced technology that our ancestors applied to create music: the finger holes are carefully bevelled to allow the musician's fingers to make a tight seal; and the distances between the holes appear to have been precisely measured, perhaps to correspond to a specific musical scale. This time period corresponds to the last glaciation episode in the northern hemisphere -- life could not have been easy for people living at that time. Yet time, energy, and the skills of craftworkers were expended for making abstract sounds "of the least use ... to daily habits of life". So, music must have been very meaningful and important for them. Why would that be?"--
|c Provided by publisher.
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| 588 |
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|a Description based on online resource; title from digital title page (viewed on December 01, 2023).
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| 650 |
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|a Music
|x Psychological aspects.
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| 650 |
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|a Musical perception.
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| 650 |
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|a Cognitive neuroscience.
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| 650 |
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|a Pleasure.
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| 650 |
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|a Cognitive neuroscience
|2 fast
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| 650 |
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|a Music
|x Psychological aspects
|2 fast
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| 650 |
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|a Musical perception
|2 fast
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| 650 |
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|a Pleasure
|2 fast
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| 650 |
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|a Music.
|2 thema
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| 650 |
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|a Music.
|2 ukslc
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| 758 |
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|i has work:
|a FROM PERCEPTION TO PLEASURE (Text)
|1 https://id.oclc.org/worldcat/entity/E39PD3xYqdmWrJ6FKHxRV6W6mm
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Zatorre, Robert J.
|t From perception to pleasure
|d New York : Oxford University Press, 2023
|z 9780197558287
|w (DLC) 2023020457
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| 856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/55154
|y Click for online access
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| 903 |
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|a OUP-SOEBA
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| 994 |
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|a 92
|b HCD
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