Improvising across abilities : Pauline Oliveros and the Adaptive Use Musical Instrument / editorial collective: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks.

"Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community imp...

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Bibliographic Details
Other Authors: Ciufo, Thomas (Editor), Dvorak, Abbey (Editor), Haaheim, Kip (Editor), Hurst, Jennifer (Jennifer K.) (Editor), Ione, Carole, 1937- (Editor), Leu, Grace Shih-en (Editor), Miller, Leaf (Editor), Mizumura-Pence, Ray (Editor), Oddy, Nicola (Editor), Stewart, Jesse, 1974- (Editor), Sullivan, John (Designer) (Editor), Tucker, Sherrie, 1957- (Editor), Waterman, Ellen, 1963- (Editor), Wilks, Ranita (Editor)
Format: Electronic eBook
Language:English
Published: Ann Arbor : University of Michigan Press, [2024]
Series:Music and social justice.
Subjects:
Online Access:Click for online access

MARC

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245 0 0 |a Improvising across abilities :  |b Pauline Oliveros and the Adaptive Use Musical Instrument /  |c editorial collective: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks. 
246 3 0 |a Pauline Oliveros and the Adaptive Use Musical Instrument 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c [2024] 
264 4 |c ©2024 
300 |a 1 online resource (xiv, 390 pages) :  |b color illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Music and social justice 
504 |a Includes bibliographical references (pages 349-361) and index. 
500 |a "The AUMI Editorial Collective"--Cover. 
536 |a Sponsored by College of Liberal Arts and Sciences, University of Kansas; Society for American Music; Carleton University; and RPI 
505 0 0 |t Going deep : AUMI since before the beginning /  |r Leaf Miller ; illustrations by Ty Dykema --  |t From punk philosophy to musical accessibility /  |r Zane Van Dusen --  |t My transformation into a masterpiece musical instrument and musician /  |r Clara Tomaz --  |t The gift of expression : playing AUMI with my son /  |r Julie Brocklehurst --  |t AUMI as a model for social justice /  |r George Lipsitz --  |t The dream of AUMI /  |r IONE --  |t AUMI in the context of adaptive music /  |r Alex Lubet --  |t AUMI among the ADMIs : the adaptive digital context /  |r Grace Shih-en Leu --  |t AUMI development and developers : the DLI years (2007-2012) /  |r Sherrie Tucker --  |t AUMI technology development at McGill (2012-2019) /  |r John Sullivan, Ivan Franco, Ian Hattwick, Thomas Ciufo, Eric Lewis --  |t How adaptive, how useful? Technological design solutions in AUMI for iOS /  |r Henry Lowengard --  |t Pauline's world of virtuosos : expanded instruments, deep listening, and stretched boundaries /  |r Jonas Braasch --  |t Exploring AUMI's potential in the Thunder Bay community : an interview between Nicola Oddy and Lise Vaugeois --  |t Building and sustaining ethical communities together : an interview with Rebecca Caines by Ellen Waterman --  |t There's no place like AUMI : building a community partnership in Lawrence, Kansas /  |r Jim Barnes, Kip Haaheim, Ray Mizumura-Pence, Sherrie Tucker, and Ranita Wilks --  |t Love, actually : using AUMI to transgress ableist directing habits /  |r Nicole Hodges Persley --  |t Wooden snapdragon /  |r Julie Unruh --  |t Improvising inclusive communities : shared reflections on the Jesse Stewart residency in Lawrence, Kansas /  |r Abbey Dvorak, Kip Haaheim, Ray Mizumura-Pence, and Sherrie Tucker --  |t Sending and receiving : AUMI bodies and dance improvisation /  |r Michelle Heffner Hayes and Sherrie Tucker --  |t Communities of generosity and gratitude : AUMI-KU InterArts' first decade /  |r Ray Mizumura-Pence --  |t WAAM + AUMI : the We Are All Musicians Project and the Adaptive Use Musical Instrument /  |r Jesse Stewart --  |t "To me, dance is a home" : an Interview with Jessie Huggett /  |r Jessie Huggett interviewed by Jack Hui Litster --  |t "I am here" : AUMI sings and choral participation /  |r Ellen Waterman, Laurel Forshaw, Gillian Siddall, Henry Lowengard, Gale Franklin, Teresa Connors, and Karen Berglander --  |t AUMI, Theremin, and sonic witnessing /  |r Li Harris --  |t AUMI in practice : the Mills AIE /  |r Matt Robidoux --  |t Knowing as feeling : five meditations on the planets /  |r Kip Haaheim --  |t AUMI classrooms /  |r Jennifer Hurst and Grace Shih-en Leu --  |t Working with AUMI in classroom settings in a center school for students with severe cognitive and physical challenges /  |r Deborah A. Nelson and Nancy Patterson --  |t AUMI and "improvise approach" backing tracks /  |r Carrie Lennard --  |t AUMI and the ethics of technology : a personal encounter /  |r Eric Lewis --  |t AUMI and music therapy : supporting independent musicking /  |r Abbey Dvorak and Nicola Oddy --  |t Clinical applications using AUMI in music therapy practice /  |r Abbey L. Dvorak, James Maxson, and David Knott --  |t Use of AUMI in clinical music therapy for hospitalized patients with complex neurological disabilities /  |r Sergio Hazard --  |t AUMI and musical empowerment in a pediatric environment /  |r John Mulcahy --  |t Dream music /  |r Julie Unruh --  |t Dreaming AUMI's future /  |r IONE 
520 3 |a "Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932-2016), the AUMI was designed as a liberating and affordable alternative to the constraints of instruments created only for normative bodies, thus opening a doorway for people of all ages, genders, abilities, races, and socioeconomic backgrounds to access artistic practice with others. More than a book about AUMI, this book is an invitation to readers to use AUMI in their own communities. This book, which contains wisdom from many who have been affected by their work with the instrument and the people who use it, is a representation of how music and extemporized performance have touched the lives and minds of scholars and families alike. Not only has AUMI provided the opportunity to grow in listening to others who may speak differently (or not at all), but it has been used as an avenue for a diverse set of people to build friendships with others whom they may have never otherwise even glanced at in the street. By providing a space for every person who comes across AUMI to perform, listen, improvise, and collaborate, the continuing development of this instrument contributes to a world in which every person is heard, welcomed, and celebrated."--Publisher's description. 
542 1 |f This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License  |u https://creativecommons.org/licenses/by-nc/4.0 
506 0 |f Unrestricted online access  |2 star 
506 0 |a Open Access  |5 EbpS 
588 0 |a Online resource; title from digital title page (March 13, 2024) 
630 0 0 |a Adaptive use musical instrument (Computer file) 
600 1 0 |a Oliveros, Pauline,  |d 1932-2016. 
600 1 7 |a Oliveros, Pauline,  |d 1932-2016  |2 fast 
650 0 |a Software samplers. 
650 0 |a Improvisation (Music) 
650 0 |a Musicians with disabilities. 
650 0 |a Inclusive education. 
650 0 |a Music therapy. 
650 7 |a MUSIC / Philosophy & Social Aspects.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / People with Disabilities.  |2 bisacsh 
650 7 |a MUSIC / General  |2 bisacsh 
650 7 |a Improvisation (Music)  |2 fast 
650 7 |a Inclusive education  |2 fast 
650 7 |a Musicians with disabilities  |2 fast 
650 7 |a Software samplers  |2 fast 
700 1 |a Ciufo, Thomas,  |e editor. 
700 1 |a Dvorak, Abbey,  |e editor. 
700 1 |a Haaheim, Kip,  |e editor. 
700 1 |a Hurst, Jennifer  |q (Jennifer K.),  |e editor. 
700 1 |a Ione, Carole,  |d 1937-  |e editor. 
700 1 |a Leu, Grace Shih-en,  |e editor. 
700 1 |a Miller, Leaf,  |e editor. 
700 1 |a Mizumura-Pence, Ray,  |e editor. 
700 1 |a Oddy, Nicola,  |e editor. 
700 1 |a Stewart, Jesse,  |d 1974-  |e editor. 
700 1 |a Sullivan, John  |c (Designer),  |e editor. 
700 1 |a Tucker, Sherrie,  |d 1957-  |e editor. 
700 1 |a Waterman, Ellen,  |d 1963-  |e editor. 
700 1 |a Wilks, Ranita,  |e editor. 
710 2 |a Michigan Publishing (University of Michigan),  |e publisher. 
776 0 8 |i Print version:  |t Improvising across abilities  |d Ann Arbor, Michigan : University of Michigan Press, 2024  |z 9780472075737  |w (DLC) 2023032801 
830 0 |a Music and social justice. 
856 4 0 |u https://muse.jhu.edu/book/119355  |y Click for online access 
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994 |a 92  |b HCD