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20241006213017.0 |
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240805t20242024enka fob 001 0 eng d |
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|a STBDS
|b eng
|e rda
|e pn
|c STBDS
|d OCLCO
|d EBLCP
|d OCLCQ
|d YDX
|d N$T
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| 019 |
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|a 1456862848
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|a 9780198911005
|q ebook
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|a 0198911009
|q ebook
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|a 9780198910985
|q electronic book
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|a 0198910983
|q electronic book
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|a 9780198910992
|q (electronic bk.)
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|a 0198910991
|q (electronic bk.)
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|z 0198910975
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|z 9780198910978
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| 024 |
7 |
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|a 10.1093/9780198911005.001.0001
|2 doi
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| 035 |
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|a (OCoLC)1450909472
|z (OCoLC)1456862848
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| 050 |
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4 |
|a PR9362.52
|b .F6 2024
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Fossati, Marta,
|e author.
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| 245 |
1 |
4 |
|a The South African short story in English, 1920-2010 :
|b when aesthetics meets ethics /
|c Marta Fossati.
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| 264 |
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|a Oxford :
|b Oxford University Press,
|c [2024]
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| 264 |
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|c ©2024
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| 300 |
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|a 1 online resource :
|b illustrations.
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| 336 |
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|a text
|2 rdacontent
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| 336 |
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|a still image
|2 rdacontent
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| 337 |
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|a computer
|2 rdamedia
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| 338 |
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|a online resource
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 520 |
8 |
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|a Marta Fossati traces the development of the South African short story in English from the late 1920s to the first decade of the twenty-first century, examining its narratological characteristics, its dialogue between aesthetics and ethics, and its material print culture.
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| 521 |
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|a Specialized.
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|a Cover -- Title page -- Copyright page -- Acknowledgements -- Contents -- List of Figures -- Introduction: 'Like the Flash of Fireflies' -- 1 Between The Sjambok and the Bantu World Fiction and Journalism in Rolfes Dhlomo's Short Stories -- 1.1 New African modernity -- 1.2 Protest and realism: The mine stories in The Sjambok -- Tradition, orality, and hybridity: The stories in the Bantu World -- 1.4 The Jim-comes-to-Joburg stories -- 1.5 Shifting publishing contexts -- 2 Experimentalism in Herbert Dhlomo's Ten 'Unpublished' Short Stories -- 2.1 A modern/modernist writer?
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|a 2.2 Tradition, modernity, and female protagonists -- 2.3 Documentary imperatives and social critique -- 2.4 Science and crime: Dhlomo's detective stories -- 3 Interlude: Dark Testament by Peter Abrahams -- 3.1 A 'lonely voice': Abrahams's exilic trajectory -- 3.2 'I Remember . . .': Memoirs or modernist interludes? -- 3.3 'Stories': Autobiography and universalist concerns -- 3.4 Beyond South Africa: US connections and metropolitan aspirations -- 4 The 'Fabulous Decade': Realism and Literariness in the Short Fiction by Can Themba and Alex La Guma -- 4.1 The publishing scene in the 1950s
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| 505 |
8 |
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|a 4.2 Between popular fiction and Romanticism: The short stories in Drum -- 4.3 Social critique and generic hybridity: Themba's mature fiction -- 4.4 Journalism, realism, and the ordinary: La Guma's stories -- 4.5 'Too political': Nadine Gordimer and the New Yorker -- 5 'Eenheid and Apartheid': Unity and Difference in Mtutuzeli Matshoba's and Ahmed Essop's Short-Story Cycles -- 5.1 At the crossroads of literature and politics: Print media and Staffrider -- 5.2 Communal place and storytelling: The short-story cycle -- 5.3 Print media in/as literature
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| 505 |
8 |
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|a 5.4 Call Me Not a Man: Short stories or 'proemdra'? -- 5.5 Fables of fragmentation: Essop's two post-apartheid collections -- 6 Beyond South Africa and the Politics of Realism: The Textuality of Reality in Zoë Wicomb's Two Short-Story Cycles -- 6.1 Ethical and aesthetical concerns: The importance of setting -- 6.2 Intertextuality in You Can't Get Lost in Cape Town -- 6.3 Uncanny repetitions in The One that Got Away -- 6.4 'Repeated, refashioned': Concluding remarks -- Bibliography -- Index
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| 588 |
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|a Description based on online resource; title from digital title page (viewed on September 17, 2024).
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| 650 |
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|a Short stories, South African (English)
|y 20th century
|x History and criticism.
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| 650 |
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|a Short stories, South African (English)
|y 21st century
|x History and criticism.
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| 776 |
0 |
8 |
|i Print version :
|z 9780198910978
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| 856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/58073
|y Click for online access
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| 903 |
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|a OUP-SOEBA
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| 994 |
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|a 92
|b HCD
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