Forms of modernist fiction : reading the novel from James Joyce to Tom McCarthy / Derek Attridge.

"The formal innovations of the modernist novelists have continued to reverberate to the present day, less importantly as a matter of imitation and more as a stimulus to further innovation. Focusing on the experience of the reader in engaging with a selection of these works from around the globe...

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Bibliographic Details
Main Author: Attridge, Derek (Author)
Format: eBook
Language:English
Published: Edinburgh : Edinburgh University Press, [2023]
Series:JSTOR ebook purchased.
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Online Access:Click to view e-book
Holy Cross Note:This was purchased from JSTOR with an unlimited, DRM-free license.
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Description
Summary:"The formal innovations of the modernist novelists have continued to reverberate to the present day, less importantly as a matter of imitation and more as a stimulus to further innovation. Focusing on the experience of the reader in engaging with a selection of these works from around the globe, this book argues that a rigorous attention to formal features is crucial in appreciating their achievement and in understanding the impact of the early modernists on the history of the novel. Joyce's Ulysses is given particular attention for its feats of formal invention and as an inspiration for many later writers. Among the facets of modernist writing explored are the separation of content and form, the transgression of linguistic boundaries, the defiance of lexical and syntactic rules, the deployment realist techniques to present the unreal, the political significance of literary form, and the relation between formal innovation and affect"--
Physical Description:1 online resource (viii, 268 pages)
Bibliography:Includes bibliographical references and index.
ISBN:9781399512473
1399512471
9781399512480
139951248X
Source of Description, Etc. Note:Print version record.
Biographical or Historical Data:Derek Attridge is Emeritus Professor in the Department of English and Related Literature at the University of York and Fellow of the British Academy.