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|a 9781861897626
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|a 1861897626
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|a (OCoLC)624419240
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|z (OCoLC)1008085924
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|a eng
|h rus
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|a N8551.R8
|b T3713 2011
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|a (47)7.024.5 TAR
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|a 701.1
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|a MAIN
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|a Tarasov, O. I︠U︡.
|q (Oleg I︠U︡rʹevich)
|1 https://id.oclc.org/worldcat/entity/E39PCjxdfYYVTy4vdmfFKGfg8C
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240 |
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|a Rama i obraz.
|l English
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245 |
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|a Framing Russian art :
|b from early icons to Malevich /
|c Oleg Tarasov ; translated by Robin Milner-Gulland and Antony Wood ; with an editorial preface by Robin Milner-Gulland.
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260 |
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|a London :
|b Reaktion Books,
|c ©2011.
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300 |
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|a 415 pages :
|b illustrations (some color) ;
|c 27 cm
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336 |
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|a text
|b txt
|2 rdacontent
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|a unmediated
|b n
|2 rdamedia
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|a volume
|b nc
|2 rdacarrier
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|p Originally published in Russian :
|c Moskva : Progress-Tradisiya, 2007,
|n under title:
|t Rama i obraz: ritorika obramleniya v russkom iskusstve.
|z 9781861897626
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504 |
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|a Includes bibliographical references and index.
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520 |
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|a In Framing Russian Art, Oleg Tarasov investigates the role of the frame both literally and conceptually, both in the organization of the artistic space of a work of art and in the very perception of a visual image - an icon, a building, a painting, an etching or photograph. Part One is dedicated to exploring the frame of the Russian icon and related arks, folding images and prints, from the Middle Ages to the late nineteenth century, including analyses of Grigoriy Shumayev's vast and extraordinary Baroque masterpiece, which he called 'the iconostasis of the life-giving Cross', and the sumptuous blending of medievalism and the late Romanticism in the Church Not Made by Hands at Savva Momontov's estate of Abramtsevo outside Moscow. Part Two examines the successive roles of the frame in Baroque imperial portraiture, the dynastic grandiloquence of the nineteenth century, the impact of Western ideas and new technology (photography in particular) on the celebrated battle painter Vasiliy Vereshchagin, and finally the impact of the vanishing frame in abstract art and Modernism. --Book Jacket.
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|a The rhetoric of framing in Russian art -- Frame and image. Symbolic unity ; From the Middle Ages to Romanticism -- Playing with space. The lustre of power ; Between industry and art.
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650 |
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|a Picture frames and framing
|z Russia.
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650 |
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|a Picture frames and framing
|x Philosophy.
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650 |
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|a Icons, Russian.
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650 |
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|a Art, Russian.
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650 |
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7 |
|a Art, Russian.
|2 fast
|0 (OCoLC)fst00816834
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650 |
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7 |
|a Icons, Russian.
|2 fast
|0 (OCoLC)fst00966799
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650 |
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7 |
|a Picture frames and framing.
|2 fast
|0 (OCoLC)fst01063801
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651 |
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|a Russia.
|2 fast
|0 (OCoLC)fst01207312
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700 |
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|a Milner-Gulland, R. R.
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758 |
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|i has work:
|a Framing Russian art (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGt7PWdcv9QQXKfKGXbMmq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Online version:
|a Tarasov, O. I︠U︡. (Oleg I︠U︡rʹevich)
|s Rama i obraz. English.
|t Framing Russian art.
|d London : Reaktion Books, ©2011
|w (OCoLC)1110424475
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|a Baker and Taylor
|b BTCP
|n BK0008868959
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|a Coutts Information Services
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|a Erasmus Boekhandel
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|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Icon Museum
|d Icon Museum Library (Clinton, MA)
|t 0
|e N6981 .R53
|h Library of Congress classification
|i Book
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