Framing Russian art : from early icons to Malevich / Oleg Tarasov ; translated by Robin Milner-Gulland and Antony Wood ; with an editorial preface by Robin Milner-Gulland.

In Framing Russian Art, Oleg Tarasov investigates the role of the frame both literally and conceptually, both in the organization of the artistic space of a work of art and in the very perception of a visual image - an icon, a building, a painting, an etching or photograph. Part One is dedicated to...

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Bibliographic Details
Main Author: Tarasov, O. I︠U︡. (Oleg I︠U︡rʹevich)
Other Authors: Milner-Gulland, R. R.
Format: Book
Language:English
Russian
Published: London : Reaktion Books, ©2011.
Subjects:
Uniform Title:Rama i obraz.

MARC

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245 1 0 |a Framing Russian art :  |b from early icons to Malevich /  |c Oleg Tarasov ; translated by Robin Milner-Gulland and Antony Wood ; with an editorial preface by Robin Milner-Gulland. 
260 |a London :  |b Reaktion Books,  |c ©2011. 
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534 |p Originally published in Russian :  |c Moskva : Progress-Tradisiya, 2007,  |n under title:  |t Rama i obraz: ritorika obramleniya v russkom iskusstve.  |z 9781861897626 
504 |a Includes bibliographical references and index. 
520 |a In Framing Russian Art, Oleg Tarasov investigates the role of the frame both literally and conceptually, both in the organization of the artistic space of a work of art and in the very perception of a visual image - an icon, a building, a painting, an etching or photograph. Part One is dedicated to exploring the frame of the Russian icon and related arks, folding images and prints, from the Middle Ages to the late nineteenth century, including analyses of Grigoriy Shumayev's vast and extraordinary Baroque masterpiece, which he called 'the iconostasis of the life-giving Cross', and the sumptuous blending of medievalism and the late Romanticism in the Church Not Made by Hands at Savva Momontov's estate of Abramtsevo outside Moscow. Part Two examines the successive roles of the frame in Baroque imperial portraiture, the dynastic grandiloquence of the nineteenth century, the impact of Western ideas and new technology (photography in particular) on the celebrated battle painter Vasiliy Vereshchagin, and finally the impact of the vanishing frame in abstract art and Modernism. --Book Jacket. 
505 0 |a The rhetoric of framing in Russian art -- Frame and image. Symbolic unity ; From the Middle Ages to Romanticism -- Playing with space. The lustre of power ; Between industry and art. 
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