Authorship and appropriation : writing for the stage in England, 1660-1710

Authorship and appropriation : writing for the stage in England, 1660-1710 / Paulina Kewes.

The author argues that the period in England, from 1660 to 1710 saw the move towards modern attitudes to dramatic art. This required authors to be the sole begetters of their works. The author also explores developments in the theatrical marketplace.

Saved in:
Bibliographic Details
Main Author: Kewes, Paulina
Format: eBook
Language:English
Published: Oxford [England] : New York : Clarendon Press ; Oxford University Press, 1998.
Series:Oxford English monographs.
Subjects:
1600-1799
English drama > Restoration, 1660-1700 > History and criticism.
Dramatists, English > Early modern, 1500-1700 > Economic conditions.
Dramatists, English > 18th century > Economic conditions.
English drama > 18th century > History and criticism.
Playwriting > History > 17th century.
Playwriting > History > 18th century.
Theater > Economic aspects > England.
Dramatists, English > Early modern > Economic conditions.
English drama.
English drama > Restoration.
Playwriting.
Theater > Economic aspects.
Auteurschap.
Plagiaat.
Toneelstukken.
Engels.
Théâtre anglais > 1660-1700 (Restauration) > Histoire et critique.
Théâtre anglais > 18e siècle > Histoire et critique.
Théâtre > Aspect économique > Angleterre (GB)
Auteurs dramatiques anglais > 17e siècle.
Théâtre (genre littéraire) anglais > 17e siècle > histoire et critique.
England.
Criticism, interpretation, etc.
History.
Online Access:Click for online access
Login for hold information

‌

Click for online access

Online

Holdings details from Online
Available

Similar Items