Impeccably dressed : how costume in Pépé-le-Moko constructs Jean Gabin as object of the Erotic Gaze / by Amanda J. Field.
Does Laura Mulvey's theory, that only women can be the object of the erotic gaze in cinema, still hold true if films that lie beyond mainstream Hollywood are examined? Through close analysis of the 1937 French film P©♭p©♭-le-Moko, this paper examines those aspects of the filmmakers' craft...
Full description
Saved in: